Building Interactive Networked Musical Environments Using q3osc

Hamilton R. Building Interactive Networked Musical Environments Using q3osc. In: AES Conference: 35th International Conference: Audio for Games. Audio Engineering Society; 2009. Paper 1. Available from: https://aes.org/publications/elibrary-page/?id=15155

@inproceedings{Hamilton2009_15155,
  author = {Hamilton, Robert},
  title = {{Building Interactive Networked Musical Environments Using q3osc}},
  booktitle = {AES Conference: 35th International Conference: Audio for Games},
  note = {Paper 1},
  year = {2009},
  month = feb,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=15155}
}

TY  - CPAPER
TI  - Building Interactive Networked Musical Environments Using q3osc
AU  - Hamilton, Robert
T2  - AES Conference: 35th International Conference: Audio for Games
M1  - Paper 1
PY  - 2009
DA  - 2009/02/06
UR  - https://aes.org/publications/elibrary-page/?id=15155
PB  - Audio Engineering Society
LA  - en
AB  - Interactive networked musical gaming environments designed as control systems for external music and sound programming languages can be built using the q3osc Quake III/ioquake3 gaming mod. Bi-directional support for the Open Sound Control (OSC) messaging protocol compiled into the game engine allows for the real- time tracking, sonification, spatialization and third-party control of game entities, clients and environmental parameters. Reactive audio environments ranging from abstract multi-user musical performance spaces to representative acoustic models of physical space can be constructed using either a standard user-centric audio perspective or a potentially more immersive and inclusive space-centric perspective. Issues of space and perspective are discussed as related to the distribution of performance space and sonified environment across both local and wide-area networks.
ER  -