M. Schneiderman and M. Sarisky, “Analysis of a Modified Boss DS-1 Distortion Pedal,” in Proc. AES Convention 126, May 2009, pp. 7791:1-11. [Online]. Available: https://aes.org/publications/elibrary-page/?id=14987
Schneiderman M, Sarisky M. Analysis of a Modified Boss DS-1 Distortion Pedal. In: AES Convention 126. Audio Engineering Society; 2009.pp. 7791:1-11. Available from: https://aes.org/publications/elibrary-page/?id=14987
@inproceedings{Schneiderman2009_14987,
author = {Schneiderman, Matthew and Sarisky, Mark},
title = {{Analysis of a Modified Boss DS-1 Distortion Pedal}},
booktitle = {AES Convention 126},
pages = {7791:1-11},
url = {https://aes.org/publications/elibrary-page/?id=14987},
year = {2009},
month = may,
publisher = {Audio Engineering Society}
}
TY - CPAPER
TI - Analysis of a Modified Boss DS-1 Distortion Pedal
AU - Schneiderman, Matthew
AU - Sarisky, Mark
T2 - AES Convention 126
SP - 1
EP - 11
M1 - Paper 7791
PY - 2009
DA - 2009/05/06
UR - https://aes.org/publications/elibrary-page/?id=14987
PB - Audio Engineering Society
LA - en
AB - Guitar players are increasingly modifying (or paying someone else to modify) inexpensive mass-produced guitar pedals into boutique units. The Keeley modification of the Boss DS-1 is a prime example. In this paper, we compare the measured and perceived performance of a Boss DS-1 before and after applying the Keeley All-Seeing-Eye and Ultra mods. This paper sheds light on psychoacoustics, signal processing, and guitar recording techniques in relation to low fidelity guitar distortion pedals.
ER -