Influence of the Listening Room in the Perception of a Musical Work

Valverde N, Fernández MD, Ballesteros JA, Martinez L, Quintana S, González I. Influence of the Listening Room in the Perception of a Musical Work. In: AES Convention 126. Audio Engineering Society; 2009. Paper 7775. Available from: https://aes.org/publications/elibrary-page/?id=14971

@inproceedings{Valverde2009_14971,
  author = {Valverde, Nelia and Fernández, Marcos D. and Ballesteros, José Antonio and Martinez, Leticia and Quintana, Samuel and González, Isabel},
  title = {{Influence of the Listening Room in the Perception of a Musical Work}},
  booktitle = {AES Convention 126},
  note = {Paper 7775},
  year = {2009},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=14971}
}

TY  - CPAPER
TI  - Influence of the Listening Room in the Perception of a Musical Work
AU  - Valverde, Nelia
AU  - Fernández, Marcos D.
AU  - Ballesteros, José Antonio
AU  - Martinez, Leticia
AU  - Quintana, Samuel
AU  - González, Isabel
T2  - AES Convention 126
M1  - Paper 7775
PY  - 2009
DA  - 2009/05/06
UR  - https://aes.org/publications/elibrary-page/?id=14971
PB  - Audio Engineering Society
LA  - en
AB  - The listening of the same musical composition generates a unique perception for every listener but, simultaneously, the specific acoustic conditions of the chosen room have a decisive influence on the perception. In order to evaluate such differences depending on the listening room, a musical work for choir has been composed and recorded with a HATS in an anechoic room, in a reverberant room and in a normal room. With those records, surveys to professional musicians and non-expert listeners has been carried out, once they have previously heard the recording with headphones, and finally, the answers obtained have been evaluated in order to determine the influence of the listening room in the perception of the musical work.
ER  -