Pitch and Played String Estimation in Classic and Acoustic Guitars

Barbancho I, Tardon LJ, Barbancho AM, Sammartino S. Pitch and Played String Estimation in Classic and Acoustic Guitars. In: AES Convention 126. Audio Engineering Society; 2009. Paper 7701. Available from: https://aes.org/publications/elibrary-page/?id=14897

@inproceedings{Barbancho2009_14897,
  author = {Barbancho, Isabel and Tardon, Lorenzo J. and Barbancho, Ana M. and Sammartino, Simone},
  title = {{Pitch and Played String Estimation in Classic and Acoustic Guitars}},
  booktitle = {AES Convention 126},
  note = {Paper 7701},
  year = {2009},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=14897}
}

TY  - CPAPER
TI  - Pitch and Played String Estimation in Classic and Acoustic Guitars
AU  - Barbancho, Isabel
AU  - Tardon, Lorenzo J.
AU  - Barbancho, Ana M.
AU  - Sammartino, Simone
T2  - AES Convention 126
M1  - Paper 7701
PY  - 2009
DA  - 2009/05/06
UR  - https://aes.org/publications/elibrary-page/?id=14897
PB  - Audio Engineering Society
LA  - en
AB  - In classic and acoustic guitars that use standard tuning, the same pitch can be produced at different strings. The aim of this article is to present a method based on the time and frequency-domain characteristics of the recorded sound to determine, not only the pitch but also the string of the guitar that has been played to produce that pitch. This system will provide information not only of the pitch of the notes played, but also about how those notes were played. This specific information can be valuable to identify the style of the player and can be used in teaching to play the guitar.
ER  -