Virtual Vs. Actual Multichannel Acoustical Recording

Kearney G, Levison J. Virtual Vs. Actual Multichannel Acoustical Recording. In: AES Convention 124. Audio Engineering Society; 2008. Paper 7326. Available from: https://aes.org/publications/elibrary-page/?id=14456

@inproceedings{Kearney2008_14456,
  author = {Kearney, Gavin and Levison, Jeff},
  title = {{Virtual Vs. Actual Multichannel Acoustical Recording}},
  booktitle = {AES Convention 124},
  note = {Paper 7326},
  year = {2008},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=14456}
}

TY  - CPAPER
TI  - Virtual Vs. Actual Multichannel Acoustical Recording
AU  - Kearney, Gavin
AU  - Levison, Jeff
T2  - AES Convention 124
M1  - Paper 7326
PY  - 2008
DA  - 2008/05/06
UR  - https://aes.org/publications/elibrary-page/?id=14456
PB  - Audio Engineering Society
LA  - en
AB  - We present a comparison of live recordings of a choral ensemble versus dry recordings of the same players, with the acoustic environment reconstructed from impulse responses of the original reverberant performance space. Binaural measurements are used to objectively classify the recordings, and the perceptual attributes are investigated through a series of subjective listening tests. It is shown that the differences between dry recordings convolved with linear time-invariant (LTI) impulse responses and actual acoustical recordings can be perceived by a panel of expert listeners.
ER  -