Development of Camera Mountable 5.0 Surround Microphone and Method of 3Ch to 5Ch Signal Re-Composing System

Ishii T, Kawashima T, Kikkawa S, Kobayashi M, Komiyama S. Development of Camera Mountable 5.0 Surround Microphone and Method of 3Ch to 5Ch Signal Re-Composing System. In: AES Convention 122. Audio Engineering Society; 2007. Paper 7104. Available from: https://aes.org/publications/elibrary-page/?id=14089

@inproceedings{Ishii2007_14089,
  author = {Ishii, Takeshi and Kawashima, Takako and Kikkawa, Satoshi and Kobayashi, Minoru and Komiyama, Setsu},
  title = {{Development of Camera Mountable 5.0 Surround Microphone and Method of 3Ch to 5Ch Signal Re-Composing System}},
  booktitle = {AES Convention 122},
  note = {Paper 7104},
  year = {2007},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=14089}
}

TY  - CPAPER
TI  - Development of Camera Mountable 5.0 Surround Microphone and Method of 3Ch to 5Ch Signal Re-Composing System
AU  - Ishii, Takeshi
AU  - Kawashima, Takako
AU  - Kikkawa, Satoshi
AU  - Kobayashi, Minoru
AU  - Komiyama, Setsu
T2  - AES Convention 122
M1  - Paper 7104
PY  - 2007
DA  - 2007/05/06
UR  - https://aes.org/publications/elibrary-page/?id=14089
PB  - Audio Engineering Society
LA  - en
AB  - This paper describes the development of small 5.0 surround microphone and 3ch to 5ch signal re-composing system. The principal reason we started this development was broadcasters’ recent demand for a small, light weight cameramounted 5.0 surround microphone for documentary, drama and sports shooting outdoors. We have produced a 5.0 surround microphone but if we want to use it as a camera mounted microphone, there is a limitation we couldn’t ignore. The limitation is the number of audio tracks. The commonly available HD cameras in the market have only 4 audio tracks. In order to overcome the limitation, we developed a 3ch to 5ch signal recomposing system.
ER  -