The Importance of the Non-harmonic Residual for Automatic Musical Instrument Recognition of Pitched Instruments

Livshin A, Rodet X. The Importance of the Non-harmonic Residual for Automatic Musical Instrument Recognition of Pitched Instruments. In: AES Convention 120. Audio Engineering Society; 2006. Paper 6675. Available from: https://aes.org/publications/elibrary-page/?id=13479

@inproceedings{Livshin2006_13479,
  author = {Livshin, Arie and Rodet, Xavier},
  title = {{The Importance of the Non-harmonic Residual for Automatic Musical Instrument Recognition of Pitched Instruments}},
  booktitle = {AES Convention 120},
  note = {Paper 6675},
  year = {2006},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=13479}
}

TY  - CPAPER
TI  - The Importance of the Non-harmonic Residual for Automatic Musical Instrument Recognition of Pitched Instruments
AU  - Livshin, Arie
AU  - Rodet, Xavier
T2  - AES Convention 120
M1  - Paper 6675
PY  - 2006
DA  - 2006/05/06
UR  - https://aes.org/publications/elibrary-page/?id=13479
PB  - Audio Engineering Society
LA  - en
AB  - In different papers dealing with automatic musical instrument recognition of pitched instruments, the features used for classification are based solely on the fundamental frequencies and the harmonic series, ignoring the nonharmonic residual. In this paper we explore whether instrument recognition rate of pitched instruments is decreased by removing the non-harmonic information present in the sound signal.
ER  -