Shake, Rattle, And Roll: Gettiing Immersed In Multisensory, Interactiive Music Via Broadband Networks

Woszczyk W, Cooperstock J, Roston J, Martens W. Shake, Rattle, And Roll: Gettiing Immersed In Multisensory, Interactiive Music Via Broadband Networks. J Audio Eng Soc. 2005;53(4):336-344. Available from: https://aes.org/publications/elibrary-page/?id=13416

@article{Woszczyk2005_13416,
  author = {Woszczyk, Wieslaw and Cooperstock, Jeremy and Roston, John and Martens, William},
  title = {{Shake, Rattle, And Roll: Gettiing Immersed In Multisensory, Interactiive Music Via Broadband Networks}},
  journal = {Journal of the Audio Engineering Society},
  volume = {53},
  number = {4},
  pages = {336--344},
  year = {2005},
  month = apr,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=13416}
}

TY  - JOUR
TI  - Shake, Rattle, And Roll: Gettiing Immersed In Multisensory, Interactiive Music Via Broadband Networks
AU  - Woszczyk, Wieslaw
AU  - Cooperstock, Jeremy
AU  - Roston, John
AU  - Martens, William
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 53
IS  - 4
SP  - 336
EP  - 344
PY  - 2005
DA  - 2005/04/06
UR  - https://aes.org/publications/elibrary-page/?id=13416
PB  - Audio Engineering Society
LA  - en
AB  - [feature] Broadband Internet (transmission rates more than a gigabit per second) enables bidirectional real-time transmission of multiple streams of audio, video, and motion data with latency dependent on distance plus network and processing delays. In this article we describe a new immersive multisensory environment recently constructed at McGill University, designed for network-based communication for music performance coordinated between remote sites, potentially over great distance. The system’s architecture allows participants to experience the music with greatly enhanced presence through the use of multiple sensors and effectors and high-resolution multimodal transmission channels. Up to 24 channels of audio, digital video, and four channels of vibration can be sent and received over the network simultaneously, allowing a number of diverse applications such as remote music teaching, student auditions, jam sessions and concerts, recording sessions, and postproduction for remotely-captured live events. The technical and operational challenges of this undertaking are described, as well as potential future applications.
ER  -