Distortion in Phonograph Reproduction

Roys HE. Distortion in Phonograph Reproduction. J Audio Eng Soc. 1953;1(1):78-85. Available from: https://aes.org/publications/elibrary-page/?id=125

@article{Roys1953_125,
  author = {Roys, H. E.},
  title = {{Distortion in Phonograph Reproduction}},
  journal = {Journal of the Audio Engineering Society},
  volume = {1},
  number = {1},
  pages = {78--85},
  year = {1953},
  month = jan,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=125}
}

TY  - JOUR
TI  - Distortion in Phonograph Reproduction
AU  - Roys, H. E.
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 1
IS  - 1
SP  - 78
EP  - 85
PY  - 1953
DA  - 1953/01/06
UR  - https://aes.org/publications/elibrary-page/?id=125
PB  - Audio Engineering Society
LA  - en
AB  - Three distortion methods, the harmonic, the SMPTE intermodulation, and the difference frequency (CCIF), have been studied mainly on a theoretical basis, as a means of analyzing distortion encountered in phonograph reproduction. The harmonic method is somewhat difficult to apply, and some of the harmonics may be beyond the range of the system. The IM method has been used in the past with considerable success and appears to be a good method of analyzing tracing distortion. The difference frequency method appears to be somewhat insensitive to tracing distortion but offers advantages in that the analysis may be made right up to the cutoff frequency of the system.
ER  -