Surround Ambiophonic Recording and Reproduction

Glasgal R. Surround Ambiophonic Recording and Reproduction. In: AES Conference: 24th International Conference: Multichannel Audio, The New Reality. Audio Engineering Society; 2003. Paper 42. Available from: https://aes.org/publications/elibrary-page/?id=12273

@inproceedings{Glasgal2003_12273,
  author = {Glasgal, Ralph},
  title = {{Surround Ambiophonic Recording and Reproduction}},
  booktitle = {AES Conference: 24th International Conference: Multichannel Audio, The New Reality},
  note = {Paper 42},
  year = {2003},
  month = jun,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=12273}
}

TY  - CPAPER
TI  - Surround Ambiophonic Recording and Reproduction
AU  - Glasgal, Ralph
T2  - AES Conference: 24th International Conference: Multichannel Audio, The New Reality
M1  - Paper 42
PY  - 2003
DA  - 2003/06/06
UR  - https://aes.org/publications/elibrary-page/?id=12273
PB  - Audio Engineering Society
LA  - en
AB  - Panorambiophonics is a surround recording and reproduction paradigm that routinely delivers full horizontal 360-degree localization of sound via just four DVD/SACD/MLP/DTS/Dolby/ADAT coding/media channels and two Ambiopoles. The companion Panambiophone mic (or algorithms) captures images of startling depth and presence for live music in the round, 3D movie sound tracks, virtual reality, or electronic music montages. Periambiophonics further extends this concept to allow accurate and directional, (including height) hall ambience vectors to be distributed to essentially any number of corresponding surround speakers regardless of their number or position. Periambiophonics routinely delivers a "you-are-there", physiologically correct, home listening experience, albeit best limited to two listeners, via home theater media. Periambiophonic reproduction of commercial ITU 5.1 recordings routinely yields clearly superior surround results.
ER  -