Design Consideration of Digital Cross-Fade in Multi-Channel Recorders

Molstad RW. Design Consideration of Digital Cross-Fade in Multi-Channel Recorders. In: AES Convention 69. Audio Engineering Society; 1981. Paper 1770. Available from: https://aes.org/publications/elibrary-page/?id=11983

@inproceedings{Molstad1981_11983,
  author = {Molstad, Richard W.},
  title = {{Design Consideration of Digital Cross-Fade in Multi-Channel Recorders}},
  booktitle = {AES Convention 69},
  note = {Paper 1770},
  year = {1981},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=11983}
}

TY  - CPAPER
TI  - Design Consideration of Digital Cross-Fade in Multi-Channel Recorders
AU  - Molstad, Richard W.
T2  - AES Convention 69
M1  - Paper 1770
PY  - 1981
DA  - 1981/05/06
UR  - https://aes.org/publications/elibrary-page/?id=11983
PB  - Audio Engineering Society
LA  - en
AB  - Conventional analog editing is normally accomplished by cutting and splicing. This angled splice provides the desirable characteristic of a smooth transition between the old and new signal. With the coming of age of multichannel digital tape recorders, editing must be accomplished via a dubbing process. Such recorders provide this smooth transition totally in the digital domain by synchronously re-recording and fading out the old signal while the new signal is faded in. Implementation of the cross-fade utilizes a write-after-read head, digital multipliers, adders, and control electronics.
ER  -