J. W. Beauchamp, “Synthesis by Amplitude and "Brightness" Matching of Analyzed Musical Instrument Tones,” in Proc. AES Convention 69, May 1981, Paper 1787. [Online]. Available: https://aes.org/publications/elibrary-page/?id=11967
Beauchamp JW. Synthesis by Amplitude and "Brightness" Matching of Analyzed Musical Instrument Tones. In: AES Convention 69. Audio Engineering Society; 1981. Paper 1787. Available from: https://aes.org/publications/elibrary-page/?id=11967
@inproceedings{Beauchamp1981_11967,
author = {Beauchamp, James W.},
title = {{Synthesis by Amplitude and "Brightness" Matching of Analyzed Musical Instrument Tones}},
booktitle = {AES Convention 69},
note = {Paper 1787},
year = {1981},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=11967}
}
TY - CPAPER
TI - Synthesis by Amplitude and "Brightness" Matching of Analyzed Musical Instrument Tones
AU - Beauchamp, James W.
T2 - AES Convention 69
M1 - Paper 1787
PY - 1981
DA - 1981/05/06
UR - https://aes.org/publications/elibrary-page/?id=11967
PB - Audio Engineering Society
LA - en
AB - Time-variant index and amplitude parameters for a computer model are calculated by matching the instantaneous spectral center ("brightness") of a synthetic tone and minimizing the rms error with respect to an original tone. Synthesis accuracy is gauged by measuring the difference between the spectra of the original synthetic tones and by listening tests. Nonlinear and FM synthesis models are compared by means of graphics and taped examples.
ER -