Tonal Effects of Classical Music Microphone Placement

Bartlett B. Tonal Effects of Classical Music Microphone Placement. In: AES Convention 74. Audio Engineering Society; 1983. Paper 1994. Available from: https://aes.org/publications/elibrary-page/?id=11768

@inproceedings{Bartlett1983_11768,
  author = {Bartlett, Bruce},
  title = {{Tonal Effects of Classical Music Microphone Placement}},
  booktitle = {AES Convention 74},
  note = {Paper 1994},
  year = {1983},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=11768}
}

TY  - CPAPER
TI  - Tonal Effects of Classical Music Microphone Placement
AU  - Bartlett, Bruce
T2  - AES Convention 74
M1  - Paper 1994
PY  - 1983
DA  - 1983/10/06
UR  - https://aes.org/publications/elibrary-page/?id=11768
PB  - Audio Engineering Society
LA  - en
AB  - The spectrum of a symphonic band playing in a concert hall was measured in the audience seating area. It was also measured close to the band, in several locations typically used for recording. These measurements were repeated with an orchestra. In general, the spectrum measured close to the performers had more high-frequency energy than the spectrum measured in the audience area. This situation leads to over-bright recordings if flat-response microphones and loudspeakers are used. Suggestions are offered to remedy the problem.
ER  -