The Digital Audio Processing Station: A New Concept in Audio Post-Production

Moorer JA, Abbott C, Nye P, Borish J, Snell J. The Digital Audio Processing Station: A New Concept in Audio Post-Production. In: AES Convention 78. Audio Engineering Society; 1985. Paper 2242. Available from: https://aes.org/publications/elibrary-page/?id=11513

@inproceedings{Moorer1985_11513,
  author = {Moorer, James A. and Abbott, Curtis and Nye, Peter and Borish, Jeffrey and Snell, John},
  title = {{The Digital Audio Processing Station: A New Concept in Audio Post-Production}},
  booktitle = {AES Convention 78},
  note = {Paper 2242},
  year = {1985},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=11513}
}

TY  - CPAPER
TI  - The Digital Audio Processing Station: A New Concept in Audio Post-Production
AU  - Moorer, James A.
AU  - Abbott, Curtis
AU  - Nye, Peter
AU  - Borish, Jeffrey
AU  - Snell, John
T2  - AES Convention 78
M1  - Paper 2242
PY  - 1985
DA  - 1985/05/06
UR  - https://aes.org/publications/elibrary-page/?id=11513
PB  - Audio Engineering Society
LA  - en
AB  - Digital audio technology has reached the level where it is now reasonable to imagine combining many different functions into a single, programmable station. Such a station has been built and tested in a variety of settings, such as film sound editing, multi-track recording and mixing, noise reduction, special effects processing (such as reverberation and pitch shifting) music synthesis, and many others. The advantage of such a station is that any new effect or process or signal routing can be added simply by programming, rather than by rewiring. The console itself is entirely 'soft', in that the very meaning of each knob, button, and slider is assigned entirely by the software. This allows the operator to 'tailor' the controls to the task and to his specific preferences. With current digital technology, this can all be accomplished with no penalty in speed, cost, or preference.
ER  -