The Aesthetics and Pedagogy of Analog Tape Techniques in Classic Tape-Based Electronic Music

Rothschild S. The Aesthetics and Pedagogy of Analog Tape Techniques in Classic Tape-Based Electronic Music. In: AES Convention 112. Audio Engineering Society; 2002. Paper 5532. Available from: https://aes.org/publications/elibrary-page/?id=11438

@inproceedings{Rothschild2002_11438,
  author = {Rothschild, Sigmund},
  title = {{The Aesthetics and Pedagogy of Analog Tape Techniques in Classic Tape-Based Electronic Music}},
  booktitle = {AES Convention 112},
  note = {Paper 5532},
  year = {2002},
  month = apr,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=11438}
}

TY  - CPAPER
TI  - The Aesthetics and Pedagogy of Analog Tape Techniques in Classic Tape-Based Electronic Music
AU  - Rothschild, Sigmund
T2  - AES Convention 112
M1  - Paper 5532
PY  - 2002
DA  - 2002/04/06
UR  - https://aes.org/publications/elibrary-page/?id=11438
PB  - Audio Engineering Society
LA  - en
AB  - The aesthetics and techniques used in the creation of early analog tape-based electronic music were influenced by music compositional practices from the 1880s through the first half of the 20th century. Examining these earlier acoustic pieces and a their notable compositional techniques has helped provide an aesthetic context for students studying early tape-based electronic music and their analog recording projects at the University of Colorado at Denver.
ER  -