The Influence of Recording Technology on Performers and Listeners - A Review

Brock-Nannestad G. The Influence of Recording Technology on Performers and Listeners - A Review. In: AES Convention 112. Audio Engineering Society; 2002. Paper 5533. Available from: https://aes.org/publications/elibrary-page/?id=11381

@inproceedings{BrockNannestad2002_11381,
  author = {Brock-Nannestad, George},
  title = {{The Influence of Recording Technology on Performers and Listeners - A Review}},
  booktitle = {AES Convention 112},
  note = {Paper 5533},
  year = {2002},
  month = apr,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=11381}
}

TY  - CPAPER
TI  - The Influence of Recording Technology on Performers and Listeners - A Review
AU  - Brock-Nannestad, George
T2  - AES Convention 112
M1  - Paper 5533
PY  - 2002
DA  - 2002/04/06
UR  - https://aes.org/publications/elibrary-page/?id=11381
PB  - Audio Engineering Society
LA  - en
AB  - The paper is a systematic approach to the various factors that go into a sound recording and its reproduction and links them in a novel way with the expressed views of professionals as regards their philosophies for performance, recording, dissemination, etc. Applying the systematic approach to well-known and frequently touted publications as well as more obscure sources, it becomes possible to structure the desires of a producer and performer and perform a comparison with the obtained result. Producers and Tonmeisters in the classical field (such as Culshaw, Burkowitz, Grubb) discussed their philosophies about the same time that the performance practice movement gathered momentum, and producers in popular music exploited the new possibilities (such as George Martin). Recently perception psychology has been introduced while the technical possibilities including surround have expanded and (hopefully) standardised.
ER  -