Improved Microphone Array Configurations for Auralization of Sound Fields by Wave-Field Synthesis

Hulsebos E, de Vries D, Bourdillat E. Improved Microphone Array Configurations for Auralization of Sound Fields by Wave-Field Synthesis. J Audio Eng Soc. 2002;50(10):779-790. Available from: https://aes.org/publications/elibrary-page/?id=11061

@article{Hulsebos2002_11061,
  author = {Hulsebos, Edo and de Vries, Diemer and Bourdillat, Emmanuelle},
  title = {{Improved Microphone Array Configurations for Auralization of Sound Fields by Wave-Field Synthesis}},
  journal = {Journal of the Audio Engineering Society},
  volume = {50},
  number = {10},
  pages = {779--790},
  year = {2002},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=11061}
}

TY  - JOUR
TI  - Improved Microphone Array Configurations for Auralization of Sound Fields by Wave-Field Synthesis
AU  - Hulsebos, Edo
AU  - de Vries, Diemer
AU  - Bourdillat, Emmanuelle
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 50
IS  - 10
SP  - 779
EP  - 790
PY  - 2002
DA  - 2002/10/06
UR  - https://aes.org/publications/elibrary-page/?id=11061
PB  - Audio Engineering Society
LA  - en
AB  - In order to correctly reproduce ( "auralize" ) the acoustic wave field in a hall through a wave-field synthesis (WFS) system, impulse responses are nowadays measured along arrays of microphone positions. Three array configurations are considered linear, cross, and circular. The linear and cross array configurations both have strong limitations, most of which can be avoided by using circular arrays. Auralization techniques are explained for all types of arrays. For the circular array configuration the connection between circular holophony, high-order incoming and outgoing ambisonics, and plane-wave decomposition for a sound field will be established and used as a tool for auralization.
ER  -