The Ambiophone Derivation of a Recording Methodology Optimized for Ambiophonic Reproduction

Glasgal R. The Ambiophone Derivation of a Recording Methodology Optimized for Ambiophonic Reproduction. In: AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception. Audio Engineering Society; 2001. Paper 1874. Available from: https://aes.org/publications/elibrary-page/?id=10115

@inproceedings{Glasgal2001_10115,
  author = {Glasgal, Ralph},
  title = {{The Ambiophone Derivation of a Recording Methodology Optimized for Ambiophonic Reproduction}},
  booktitle = {AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception},
  note = {Paper 1874},
  year = {2001},
  month = jun,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=10115}
}

TY  - CPAPER
TI  - The Ambiophone Derivation of a Recording Methodology Optimized for Ambiophonic Reproduction
AU  - Glasgal, Ralph
T2  - AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception
M1  - Paper 1874
PY  - 2001
DA  - 2001/06/06
UR  - https://aes.org/publications/elibrary-page/?id=10115
PB  - Audio Engineering Society
LA  - en
AB  - Ambiophonic surround systems reproduce both existing and new 2-channel music discs with unprecedented spatial realism. This paper extends this binaural technology concept to recording. It describes microphone, live recording and studio monitoring techniques that take advantage of the foreknowledge that playback will be Ambiophonic to produce music recordings of exceptional "you-are-there" concert-hall realism, fortuitously and optimally, still needing just two media channels.
ER  -