K. Hamasaki, T. Shinmura, S. Akita, and K. Hiyama, “Approach and Mixing Technique for Natural Sound Recording of Multichannel Audio,” in Proc. AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception, Jun. 2001, Paper 1878. [Online]. Available: https://aes.org/publications/elibrary-page/?id=10111
Hamasaki K, Shinmura T, Akita S, Hiyama K. Approach and Mixing Technique for Natural Sound Recording of Multichannel Audio. In: AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception. Audio Engineering Society; 2001. Paper 1878. Available from: https://aes.org/publications/elibrary-page/?id=10111
@inproceedings{Hamasaki2001_10111,
author = {Hamasaki, Kimio and Shinmura, Toru and Akita, Shoji and Hiyama, Koichiro},
title = {{Approach and Mixing Technique for Natural Sound Recording of Multichannel Audio}},
booktitle = {AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception},
note = {Paper 1878},
year = {2001},
month = jun,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=10111}
}
TY - CPAPER
TI - Approach and Mixing Technique for Natural Sound Recording of Multichannel Audio
AU - Hamasaki, Kimio
AU - Shinmura, Toru
AU - Akita, Shoji
AU - Hiyama, Koichiro
T2 - AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception
M1 - Paper 1878
PY - 2001
DA - 2001/06/06
UR - https://aes.org/publications/elibrary-page/?id=10111
PB - Audio Engineering Society
LA - en
AB - This paper describes an approach for natural sound recording of multichannel audio, such as classical music recording in a concert hall. The concept of multichannel sound recording using a "Layered Multichannel Sound Recording Array" is proposed and discussed. Practical recording techniques to reproduce the spatial impression are also described in detail.
ER -