A challenge in multichannel music recording

Fukada A. A challenge in multichannel music recording. In: AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception. Audio Engineering Society; 2001. Paper 1881. Available from: https://aes.org/publications/elibrary-page/?id=10108

@inproceedings{Fukada2001_10108,
  author = {Fukada, Akira},
  title = {{A challenge in multichannel music recording}},
  booktitle = {AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception},
  note = {Paper 1881},
  year = {2001},
  month = jun,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=10108}
}

TY  - CPAPER
TI  - A challenge in multichannel music recording
AU  - Fukada, Akira
T2  - AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception
M1  - Paper 1881
PY  - 2001
DA  - 2001/06/06
UR  - https://aes.org/publications/elibrary-page/?id=10108
PB  - Audio Engineering Society
LA  - en
AB  - We can say that the continuation of the sound field is the most important issue in multichannel music recording. A natural sound field gives people the feeling that they are really here. If the sound field continues in all channels, even in an artificial air space, we do not feel this to be anunnatural space. Here, I will describe the technique for creating the continuous air space and how to catch a good sound field.
ER  -