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A number of physical limitations are inherent to analogue recording media, and for this reason compromises have to be accepted. In order to widen the frequency range of recordings, mechanical, optical, and magnetic recording have used pre-emphasis at recording which is then suppressed again by a complementary de-emphasis at replay. The paper traces the parallel development in all three fields of analog recording.
Author (s): Brock-Nannestad, George;
Affiliation:
Preservation Tactics, Gentofte, Denmark
(See document for exact affiliation information.)
AES Convention: 110
Paper Number:5360
Publication Date:
2001-05-06
Session subject:
Signal Processing for Audio
DOI:
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Brock-Nannestad, George; 2001; Pre- and De-Emphasis - A Forgotten Necessity [PDF]; Preservation Tactics, Gentofte, Denmark; Paper 5360; Available from: https://aes.org/publications/elibrary-page/?id=9945
Brock-Nannestad, George; Pre- and De-Emphasis - A Forgotten Necessity [PDF]; Preservation Tactics, Gentofte, Denmark; Paper 5360; 2001 Available: https://aes.org/publications/elibrary-page/?id=9945
@inproceedings{Brock-Nannestad2001pre-,
title={{Pre- and De-Emphasis - A Forgotten Necessity}},
author={Brock-Nannestad, George},
year={2001},
month={may},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 5360; AES Convention 110; May 2001},
number={5360},
organization={AES},
}
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