Ambiophonics. Achieving Physiological Realism in Music Recording and Reproduction

Glasgal R. Ambiophonics. Achieving Physiological Realism in Music Recording and Reproduction. In: AES Convention 111. Audio Engineering Society; 2001. Paper 5426. Available from: https://aes.org/publications/elibrary-page/?id=9894

@inproceedings{Glasgal2001_9894,
  author = {Glasgal, Ralph},
  title = {{Ambiophonics. Achieving Physiological Realism in Music Recording and Reproduction}},
  booktitle = {AES Convention 111},
  note = {Paper 5426},
  year = {2001},
  month = nov,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=9894}
}

TY  - CPAPER
TI  - Ambiophonics. Achieving Physiological Realism in Music Recording and Reproduction
AU  - Glasgal, Ralph
T2  - AES Convention 111
M1  - Paper 5426
PY  - 2001
DA  - 2001/11/06
UR  - https://aes.org/publications/elibrary-page/?id=9894
PB  - Audio Engineering Society
LA  - en
AB  - Ambiophonics, is the logical successor, to stereophonics, 5.1, 6,0, 7,1, 10.2, or Ambisonics in the periphonic recording and reproduction of frontally staged music or drama. We show how, optimally, only two recording media channels, driving a multi-speaker surround Ambiophonic system, can consistently generate a "you are there" sound field that the domestic concert hall listener can sense has normal binaural physiological verisimilitude. Ambiophonics can deliver palpable realism even from standard two media channel recordings such as the existing library of LPs, CDs, DVDs, or SACDs or via super-wide-stage recordings made using an Ambiophone.
ER  -