C.-C. Burgel, R. Bartholomaus, W. Fiesel, J. Hilpert, A. Hoelzer, and K. Linzmeier, “Beyond CD-Quality: Advanced Audio Coding (AAC) for High Resolution Audio with 24 Bit Resolution and 96 kHz Sampling Frequency,” in Proc. AES Convention 111, Nov. 2001, Paper 5476. [Online]. Available: https://aes.org/publications/elibrary-page/?id=9885
Burgel CC, Bartholomaus R, Fiesel W, Hilpert J, Hoelzer A, Linzmeier K. Beyond CD-Quality: Advanced Audio Coding (AAC) for High Resolution Audio with 24 Bit Resolution and 96 kHz Sampling Frequency. In: AES Convention 111. Audio Engineering Society; 2001. Paper 5476. Available from: https://aes.org/publications/elibrary-page/?id=9885
@inproceedings{Burgel2001_9885,
author = {Burgel, Claus-Christian and Bartholomaus, Reinfried and Fiesel, Wolfgang and Hilpert, Johannes and Hoelzer, Andreas and Linzmeier, Karsten},
title = {{Beyond CD-Quality: Advanced Audio Coding (AAC) for High Resolution Audio with 24 Bit Resolution and 96 kHz Sampling Frequency}},
booktitle = {AES Convention 111},
note = {Paper 5476},
year = {2001},
month = nov,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=9885}
}
TY - CPAPER
TI - Beyond CD-Quality: Advanced Audio Coding (AAC) for High Resolution Audio with 24 Bit Resolution and 96 kHz Sampling Frequency
AU - Burgel, Claus-Christian
AU - Bartholomaus, Reinfried
AU - Fiesel, Wolfgang
AU - Hilpert, Johannes
AU - Hoelzer, Andreas
AU - Linzmeier, Karsten
T2 - AES Convention 111
M1 - Paper 5476
PY - 2001
DA - 2001/11/06
UR - https://aes.org/publications/elibrary-page/?id=9885
PB - Audio Engineering Society
LA - en
AB - Contrary to the MPEG-1 Audio compression schemes, Advanced Audio Coding (AAC) in its MPEG-2 and MPEG-4 avours has no inherent upper limit for the sampling frequency of the input signal. Furthermore, the bitstream format allows to cover a dynamic range far beyond the range provided by 24 bit linear PCM coding. This makes the AAC coder an ideal candidate for representing audio signals with parameters that are usually associated with high resolution audio systems. This paper discusses the application of this highly efficient compression scheme to digital programme material represented with 24 bit and 96 kHz.
ER -
