FM Analysis/Synthesis-Based Audio Coding

Winduratna B. FM Analysis/Synthesis-Based Audio Coding. In: AES Convention 104. Audio Engineering Society; 1998. Paper 4746. Available from: https://aes.org/publications/elibrary-page/?id=8434

@inproceedings{Winduratna1998_8434,
  author = {Winduratna, Bondhan},
  title = {{FM Analysis/Synthesis-Based Audio Coding}},
  booktitle = {AES Convention 104},
  note = {Paper 4746},
  year = {1998},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=8434}
}

TY  - CPAPER
TI  - FM Analysis/Synthesis-Based Audio Coding
AU  - Winduratna, Bondhan
T2  - AES Convention 104
M1  - Paper 4746
PY  - 1998
DA  - 1998/05/06
UR  - https://aes.org/publications/elibrary-page/?id=8434
PB  - Audio Engineering Society
LA  - en
AB  - An FM based analysis/synthesis audio coder was developed to encode a signal with a lot number of harmonic components at very low bit rates. The audio signal is modeled by a harmonical line spectrum which is described by FM parameter sets. The estimation of the FM parameters for a given line spectrum is performed by a numerical analysis procedure based on the FM synthesis technique which is well known in music synthesizer engineering. The mean bit rate for the coded FM parameters of single instrument signals varies from 2.1 kbit/s up to 4.8 kbit/s.
ER  -