Acoustical Simulation for Post-Production

Dickins G, Flanagan P, Layton L. Acoustical Simulation for Post-Production. In: AES Convention 106. Audio Engineering Society; 1999. Paper 4913. Available from: https://aes.org/publications/elibrary-page/?id=8267

@inproceedings{Dickins1999_8267,
  author = {Dickins, Glenn and Flanagan, Patrick and Layton, Leonard},
  title = {{Acoustical Simulation for Post-Production}},
  booktitle = {AES Convention 106},
  note = {Paper 4913},
  year = {1999},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=8267}
}

TY  - CPAPER
TI  - Acoustical Simulation for Post-Production
AU  - Dickins, Glenn
AU  - Flanagan, Patrick
AU  - Layton, Leonard
T2  - AES Convention 106
M1  - Paper 4913
PY  - 1999
DA  - 1999/05/06
UR  - https://aes.org/publications/elibrary-page/?id=8267
PB  - Audio Engineering Society
LA  - en
AB  - Conventional methods of audio postproduction involve manually adjusting speaker levels and effect feed levels to achieve a desired spatial sound effect. An alternative approach is presented where the speakers are used to render a full acoustic simulation. An acoustical simulation tool (the SP1) allows the user to animate sources in a virtual acoustical environment to produce the desired effect.
ER  -