M. Erne and G. S. Moschytz, “Perceptual and Near-Lossless Audio Coding Based on a Signal-Adaptive Wavelet Filterbank,” in Proc. AES Convention 106, May 1999, Paper 4934. [Online]. Available: https://aes.org/publications/elibrary-page/?id=8246
Erne M, Moschytz GS. Perceptual and Near-Lossless Audio Coding Based on a Signal-Adaptive Wavelet Filterbank. In: AES Convention 106. Audio Engineering Society; 1999. Paper 4934. Available from: https://aes.org/publications/elibrary-page/?id=8246
@inproceedings{Erne1999_8246,
author = {Erne, Markus and Moschytz, G. S.},
title = {{Perceptual and Near-Lossless Audio Coding Based on a Signal-Adaptive Wavelet Filterbank}},
booktitle = {AES Convention 106},
note = {Paper 4934},
year = {1999},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=8246}
}
TY - CPAPER
TI - Perceptual and Near-Lossless Audio Coding Based on a Signal-Adaptive Wavelet Filterbank
AU - Erne, Markus
AU - Moschytz, G. S.
T2 - AES Convention 106
M1 - Paper 4934
PY - 1999
DA - 1999/05/06
UR - https://aes.org/publications/elibrary-page/?id=8246
PB - Audio Engineering Society
LA - en
AB - This paper presents a new approach of a signal-adaptive wavelet filterbank. The system makes use of a wavelet-packet transform, offering a completely flexible time-frequency tiling. Boundary effects can be avoided by using overlapping blocks of samples and therefore switching bases is possible at every tree-level without affecting other subbands. The filterbank can be switched based on either perceptual or rate-distortion criteria. The paper motivates the relation between compression and non-linear approximation theory and highlights the advantages of Wavelet-based compression schemes.
ER -