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The proliferation of computer audio workstations has created a need for compatible real-time effects tools. Audio engineers need not only high sound quality but also an intuitive interface to signal processing effects. Hyperprism MIDI offers virtual control sources, graphical sliders and buttons, and free-hand curves traced on the computer screen. The continuously varying quality of these controls restores the rule of metaphoric -analog- regime over the inherent precision of the digital domain.
Author (s): Jaroslow, Georges;
Roads, Curtis;
Affiliation:
Arboretum Systems, CA ; University de Paris VIII, Paris, France
(See document for exact affiliation information.)
AES Convention: 98
Paper Number:3959
Publication Date:
1995-02-06
Session subject:
Electronic Music and Musical Instrument Acoustics
DOI:
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Jaroslow, Georges; Roads, Curtis; 1995; "Analog" Control of Digital Audio Signal Processing [PDF]; Arboretum Systems, CA ; University de Paris VIII, Paris, France; Paper 3959; Available from: https://aes.org/publications/elibrary-page/?id=7807
Jaroslow, Georges; Roads, Curtis; "Analog" Control of Digital Audio Signal Processing [PDF]; Arboretum Systems, CA ; University de Paris VIII, Paris, France; Paper 3959; 1995 Available: https://aes.org/publications/elibrary-page/?id=7807
@inproceedings{Jaroslow1995"analog",
title={{"Analog" Control of Digital Audio Signal Processing}},
author={Jaroslow, Georges and Roads, Curtis},
year={1995},
month={feb},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 3959; AES Convention 98; February 1995},
number={3959},
organization={AES},
}
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