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High-level monitoring systems in the recording control room have traditionally made use of compression driver/horn components operating above approximately 800 Hz and one or more direct radiating cone transducers below that frequency. These systems have evolved in recent years; their target performance characteristics are discussed in this paper.:
Author (s): Gelow, William J.;
Gander, Mark R.;
Eargle, John M.;
Affiliation:
JBL Professional, Northbridge, CA
(See document for exact affiliation information.)
AES Convention: 5r
Paper Number:4036
Publication Date:
1995-03-06
DOI:
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Gelow, William J.; Gander, Mark R.; Eargle, John M.; 1995; Digital System Integration in the Studio Monitoring Environment [PDF]; JBL Professional, Northbridge, CA; Paper 4036; Available from: https://aes.org/publications/elibrary-page/?id=7730
Gelow, William J.; Gander, Mark R.; Eargle, John M.; Digital System Integration in the Studio Monitoring Environment [PDF]; JBL Professional, Northbridge, CA; Paper 4036; 1995 Available: https://aes.org/publications/elibrary-page/?id=7730
@inproceedings{Gelow1995digital,
title={{Digital System Integration in the Studio Monitoring Environment}},
author={Gelow, William J. and Gander, Mark R. and Eargle, John M.},
year={1995},
month={mar},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 4036; AES Convention 5r; March 1995},
number={4036},
organization={AES},
}
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