R. Bristow-Johnson, “Wavetable Synthesis 101, A Fundamental Perspective,” in Proc. AES Convention 101, Nov. 1996, Paper 4400. [Online]. Available: https://aes.org/publications/elibrary-page/?id=7379
Bristow-Johnson R. Wavetable Synthesis 101, A Fundamental Perspective. In: AES Convention 101. Audio Engineering Society; 1996. Paper 4400. Available from: https://aes.org/publications/elibrary-page/?id=7379
@inproceedings{BristowJohnson1996_7379,
author = {Bristow-Johnson, Robert},
title = {{Wavetable Synthesis 101, A Fundamental Perspective}},
booktitle = {AES Convention 101},
note = {Paper 4400},
year = {1996},
month = nov,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=7379}
}
TY - CPAPER
TI - Wavetable Synthesis 101, A Fundamental Perspective
AU - Bristow-Johnson, Robert
T2 - AES Convention 101
M1 - Paper 4400
PY - 1996
DA - 1996/11/06
UR - https://aes.org/publications/elibrary-page/?id=7379
PB - Audio Engineering Society
LA - en
AB - Wavetable synthesis is both simple and straightforward in implementation and sophisticated and subtle in optimization. For the case of quasi-periodic musical tones, wavetable synthesis can be as compact in data storage requirements and as general as additive synthesis but requires much less real-time computation. This paper shows this equivalence, explores some suboptimal methods of extracting wavetable data from a recorded tone, and proposes a perceptually relevant error metric and constraint when attempting to reduce the amount of stored wavetable data.
ER -