Coincident Microphone Techniques for Three-Channel Stereophonic Reproduction

McKinnie D, Rumsey F. Coincident Microphone Techniques for Three-Channel Stereophonic Reproduction. In: AES Convention 102. Audio Engineering Society; 1997. Paper 4429. Available from: https://aes.org/publications/elibrary-page/?id=7350

@inproceedings{McKinnie1997_7350,
  author = {McKinnie, Douglas and Rumsey, Francis},
  title = {{Coincident Microphone Techniques for Three-Channel Stereophonic Reproduction}},
  booktitle = {AES Convention 102},
  note = {Paper 4429},
  year = {1997},
  month = mar,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=7350}
}

TY  - CPAPER
TI  - Coincident Microphone Techniques for Three-Channel Stereophonic Reproduction
AU  - McKinnie, Douglas
AU  - Rumsey, Francis
T2  - AES Convention 102
M1  - Paper 4429
PY  - 1997
DA  - 1997/03/06
UR  - https://aes.org/publications/elibrary-page/?id=7350
PB  - Audio Engineering Society
LA  - en
AB  - Coincident stereo microphone techniques that can be used for three-channel frontal playback are analyzed and described, based on the three-channel psychoacoustic panning law devised by Gerzon. For each configuration giving rise to appropriate gain and phase relationships, the recording angle, angular distortion, and reverberation distribution is analyzed. Experimental recordings using some of the most successful arrays are discussed.
ER  -