Microphone Techniques for Ambient Sound on a Music Recording

Fukada A, Tsujimoto K, Akita S. Microphone Techniques for Ambient Sound on a Music Recording. In: AES Convention 103. Audio Engineering Society; 1997. Paper 4540. Available from: https://aes.org/publications/elibrary-page/?id=7239

@inproceedings{Fukada1997_7239,
  author = {Fukada, Akira and Tsujimoto, Kiyoshi and Akita, Shoji},
  title = {{Microphone Techniques for Ambient Sound on a Music Recording}},
  booktitle = {AES Convention 103},
  note = {Paper 4540},
  year = {1997},
  month = sep,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=7239}
}

TY  - CPAPER
TI  - Microphone Techniques for Ambient Sound on a Music Recording
AU  - Fukada, Akira
AU  - Tsujimoto, Kiyoshi
AU  - Akita, Shoji
T2  - AES Convention 103
M1  - Paper 4540
PY  - 1997
DA  - 1997/09/06
UR  - https://aes.org/publications/elibrary-page/?id=7239
PB  - Audio Engineering Society
LA  - en
AB  - We have been studying a method of music recording, especially rear ambient sound for 3-2 surround toward digital broadcasting. This time we introduced these methods to the recording of orchestra music and traditional Japanese music in a hall. And to the recording of chamber music in a studio.
ER  -