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This is a tutorial paper giving an introduction to the perception of multichannel sound reproduction. The important underlying psychoacoustic phenomena are reviewed -- starting with the behaviour of the auditory periphery and moving on through binaural perception, central binaural phenomena and cognition.: : The author highlights the way the perception of a recording can be changed according to the number of replay channels used. The paper opens the question of relating perceptual and cognitive responses to directional sound or to sound fields.
Author (s): Stuart, J. Robert;
Affiliation:
Meridian Audio, Huntingdon, UK
(See document for exact affiliation information.)
Publication Date:
1996-03-06
Session subject:
Audio for New Media
DOI:
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Stuart, J. Robert; 1996; The Psychoacoustics of Multichannel Audio [PDF]; Meridian Audio, Huntingdon, UK; Paper ANM-12; Available from: https://aes.org/publications/elibrary-page/?id=7088
Stuart, J. Robert; The Psychoacoustics of Multichannel Audio [PDF]; Meridian Audio, Huntingdon, UK; Paper ANM-12; 1996 Available: https://aes.org/publications/elibrary-page/?id=7088
@inproceedings{Stuart1996the,
title={{The Psychoacoustics of Multichannel Audio}},
author={Stuart, J. Robert},
year={1996},
month={mar},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper ANM-12; AES Conference: UK 11th Conference: Audio for New Media (ANM); March 1996},
number={ANM-12},
organization={AES},
}
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