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The differential perceptual audio coding (DPAC) technique is based on conventional perceptual audio coding methods, but utilizes the local stationariness of the signal to improve bit-rate requirements by up to 30% compared with these methods. Results (bit-rate requirements, NMR, seqm. SNR) are presented for the DPAC method applied to different audio signals, compared with the standard perceptual audio coding system.
Author (s): Paraskevas, M.;
Mourjopoulos, John;
Affiliation:
Wire Communications Laboratory, Electrical Engineering Dept., University of Patras, Patras, Greece
(See document for exact affiliation information.)
AES Convention: 96
Paper Number:3794
Publication Date:
1994-02-06
Session subject:
Bit Rate Reduction Schemes
DOI:
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Paraskevas, M.; Mourjopoulos, John; 1994; Results of a Differential Perceptual Audio Coding Technique [PDF]; Wire Communications Laboratory, Electrical Engineering Dept., University of Patras, Patras, Greece; Paper 3794; Available from: https://aes.org/publications/elibrary-page/?id=6438
Paraskevas, M.; Mourjopoulos, John; Results of a Differential Perceptual Audio Coding Technique [PDF]; Wire Communications Laboratory, Electrical Engineering Dept., University of Patras, Patras, Greece; Paper 3794; 1994 Available: https://aes.org/publications/elibrary-page/?id=6438
@inproceedings{Paraskevas1994results,
title={{Results of a Differential Perceptual Audio Coding Technique}},
author={Paraskevas, M. and Mourjopoulos, John},
year={1994},
month={feb},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 3794; AES Convention 96; February 1994},
number={3794},
organization={AES},
}
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