Results of a Differential Perceptual Audio Coding Technique

Paraskevas M, Mourjopoulos J. Results of a Differential Perceptual Audio Coding Technique. In: AES Convention 96. Audio Engineering Society; 1994. Paper 3794. Available from: https://aes.org/publications/elibrary-page/?id=6438

@inproceedings{Paraskevas1994_6438,
  author = {Paraskevas, M. and Mourjopoulos, John},
  title = {{Results of a Differential Perceptual Audio Coding Technique}},
  booktitle = {AES Convention 96},
  note = {Paper 3794},
  year = {1994},
  month = feb,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=6438}
}

TY  - CPAPER
TI  - Results of a Differential Perceptual Audio Coding Technique
AU  - Paraskevas, M.
AU  - Mourjopoulos, John
T2  - AES Convention 96
M1  - Paper 3794
PY  - 1994
DA  - 1994/02/06
UR  - https://aes.org/publications/elibrary-page/?id=6438
PB  - Audio Engineering Society
LA  - en
AB  - The differential perceptual audio coding (DPAC) technique is based on conventional perceptual audio coding methods, but utilizes the local stationariness of the signal to improve bit-rate requirements by up to 30% compared with these methods. Results (bit-rate requirements, NMR, seqm. SNR) are presented for the DPAC method applied to different audio signals, compared with the standard perceptual audio coding system.
ER  -