P. H. Kraght, “A Linear-Phase Digital Equalizer with Cubic-Spline Frequency Response,” in Proc. AES Convention 89, Sep. 1990, pp. 2971:1-49. [Online]. Available: https://aes.org/publications/elibrary-page/?id=5722
Kraght PH. A Linear-Phase Digital Equalizer with Cubic-Spline Frequency Response. In: AES Convention 89. Audio Engineering Society; 1990.pp. 2971:1-49. Available from: https://aes.org/publications/elibrary-page/?id=5722
@inproceedings{Kraght1990_5722,
author = {Kraght, Paul H.},
title = {{A Linear-Phase Digital Equalizer with Cubic-Spline Frequency Response}},
booktitle = {AES Convention 89},
pages = {2971:1-49},
url = {https://aes.org/publications/elibrary-page/?id=5722},
year = {1990},
month = sep,
publisher = {Audio Engineering Society}
}
TY - CPAPER
TI - A Linear-Phase Digital Equalizer with Cubic-Spline Frequency Response
AU - Kraght, Paul H.
T2 - AES Convention 89
SP - 1
EP - 49
M1 - Paper 2971
PY - 1990
DA - 1990/09/06
UR - https://aes.org/publications/elibrary-page/?id=5722
PB - Audio Engineering Society
LA - en
AB - Designing a linear-phase digital equalizer involves a tradeoff between the smoothness of the frequency response and the independence of the equalizer bands. This is illustrated by using several shapes of bandpass amplitude functions. Cubic B-splines exhibit desirable characteristics as bandpass amplitude functions, namely, smooth frequency response and reduced impulse-response ringing. B-splines can be combined to improve the inter-band independence. An implementation of this type of equalizer is then discussed.
ER -