B.-I. Dalenbäck, M. Kleiner, and P. Svensson, “The Audibility of Changes in Geometric Shape, Source Directivity, and Absorptive Treatment: Experiments in Auralization,” in Proc. AES Convention 91, Oct. 1991, Paper 3123. [Online]. Available: https://aes.org/publications/elibrary-page/?id=5593
Dalenbäck BI, Kleiner M, Svensson P. The Audibility of Changes in Geometric Shape, Source Directivity, and Absorptive Treatment: Experiments in Auralization. In: AES Convention 91. Audio Engineering Society; 1991. Paper 3123. Available from: https://aes.org/publications/elibrary-page/?id=5593
@inproceedings{Dalenback1991_5593,
author = {Dalenbäck, Bengt-Inge and Kleiner, Mendel and Svensson, Peter},
title = {{The Audibility of Changes in Geometric Shape, Source Directivity, and Absorptive Treatment: Experiments in Auralization}},
booktitle = {AES Convention 91},
note = {Paper 3123},
year = {1991},
month = oct,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=5593}
}
TY - CPAPER
TI - The Audibility of Changes in Geometric Shape, Source Directivity, and Absorptive Treatment: Experiments in Auralization
AU - Dalenbäck, Bengt-Inge
AU - Kleiner, Mendel
AU - Svensson, Peter
T2 - AES Convention 91
M1 - Paper 3123
PY - 1991
DA - 1991/10/06
UR - https://aes.org/publications/elibrary-page/?id=5593
PB - Audio Engineering Society
LA - en
AB - The prediction of room acoustic measures using computer models is now a standard procedure with most acoustic consultants. The next logical step from predicting measures is to allow people to listen to the acoustical conditions in a planned hall - so-called auralization. The increased performance of computers and digital audio equipment has made it possible to create an auralization of a proposed hall within reasonable time and economic limits. This paper reports on some demonstrations of realistic room acoustic phenomena using computer models based on actual acoustic spaces and also on some more idealized rooms. The object has been to introduce the technique to and get response from acousticians as well as those who would benefit from it the most in the long run - the musicians and the concert-goers.
ER -
