Recording and Reproducing the Space of Audio, Part 1 Conventional Stereophony: Introduction

Eargle J. Recording and Reproducing the Space of Audio, Part 1 Conventional Stereophony: Introduction. In: AES Conference: 8th International Conference: The Sound of Audio. Audio Engineering Society; 1990. Paper 8-019. Available from: https://aes.org/publications/elibrary-page/?id=5422

@inproceedings{Eargle1990_5422,
  author = {Eargle, John},
  title = {{Recording and Reproducing the Space of Audio, Part 1 Conventional Stereophony: Introduction}},
  booktitle = {AES Conference: 8th International Conference: The Sound of Audio},
  note = {Paper 8-019},
  year = {1990},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=5422}
}

TY  - CPAPER
TI  - Recording and Reproducing the Space of Audio, Part 1 Conventional Stereophony: Introduction
AU  - Eargle, John
T2  - AES Conference: 8th International Conference: The Sound of Audio
M1  - Paper 8-019
PY  - 1990
DA  - 1990/05/06
UR  - https://aes.org/publications/elibrary-page/?id=5422
PB  - Audio Engineering Society
LA  - en
AB  - "Conventional" stereophony is what the vast majority of audio consumers take for granted when they turn their audio systems on. Specifically, it is recorded (or created) over two loudspeakers and intended to be reproduced in a wide range of environments, from the most expensive audiophile system to the smallest two-speaker portable. The three papers presented in this session deal with the problems of picking up natural auditory perspectives in classical recording, the challenges of creating pop/rock music directly over loudspeakers, and the problems of monitoring these processes in a variety of working spaces.
ER  -