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Digital signal processing makes it possible to create realistic simulations of concert halls during playback. Concert hall simulators synthesize the crucial early reflections responsible for creating a sense of immersion in the sound field. The early reflections are simulated by convolving the incoming sound with the impulse response of the hall. The impulse response can be obtained either from measurements of actual halls or from a mathematical model.
Author (s): Borish, Jeffrey;
Affiliation:
EuPhonics, 223 Vista Del Mar, San Rafael, CA
(See document for exact affiliation information.)
Publication Date:
1990-05-06
Session subject:
The Sound of Audio
DOI:
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Borish, Jeffrey; 1990; Measurements and Models of Concert Halls for Realistic Reproduction [PDF]; EuPhonics, 223 Vista Del Mar, San Rafael, CA; Paper 8-030; Available from: https://aes.org/publications/elibrary-page/?id=5411
Borish, Jeffrey; Measurements and Models of Concert Halls for Realistic Reproduction [PDF]; EuPhonics, 223 Vista Del Mar, San Rafael, CA; Paper 8-030; 1990 Available: https://aes.org/publications/elibrary-page/?id=5411
@inproceedings{Borish1990measurements,
title={{Measurements and Models of Concert Halls for Realistic Reproduction}},
author={Borish, Jeffrey},
year={1990},
month={may},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 8-030; AES Conference: 8th International Conference: The Sound of Audio; May 1990},
number={8-030},
organization={AES},
}
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