Automation and Control of EQ, Gain and Panning via Segment Based Processing in SoundStation DSP Systems

Bloom J, Parker M, Crowne M, Newland J, Hewitt B. Automation and Control of EQ, Gain and Panning via Segment Based Processing in SoundStation DSP Systems. In: AES Conference: 9th International Conference: Television Sound Today and Tomorrow. Audio Engineering Society; 1991.pp. 9-005:1-4. Available from: https://aes.org/publications/elibrary-page/?id=5375

@inproceedings{Bloom1991_5375,
  author = {Bloom, Jeff and Parker, Mike and Crowne, Mark and Newland, Jonathan and Hewitt, Bruno},
  title = {{Automation and Control of EQ, Gain and Panning via Segment Based Processing in SoundStation DSP Systems}},
  booktitle = {AES Conference: 9th International Conference: Television Sound Today and Tomorrow},
  pages = {9-005:1-4},
  url = {https://aes.org/publications/elibrary-page/?id=5375},
  year = {1991},
  month = feb,
  publisher = {Audio Engineering Society}
}

TY  - CPAPER
TI  - Automation and Control of EQ, Gain and Panning via Segment Based Processing in SoundStation DSP Systems
AU  - Bloom, Jeff
AU  - Parker, Mike
AU  - Crowne, Mark
AU  - Newland, Jonathan
AU  - Hewitt, Bruno
T2  - AES Conference: 9th International Conference: Television Sound Today and Tomorrow
SP  - 1
EP  - 4
M1  - Paper 9-005
PY  - 1991
DA  - 1991/02/06
UR  - https://aes.org/publications/elibrary-page/?id=5375
PB  - Audio Engineering Society
LA  - en
AB  - In SoundStation digital audio editing and production systems, an audio Segment is defined as a piece of mono or multichannel audio of any length. Segment Based Processing allows an editor to alter instantaneously the EQ, gain, or panning of any sound effect, dialog or music segment independently, digitally and in real time on any channel of the SoundStation DSP system. More importantly, all Segment settings are attached to the edited Segments and stay with them as they are moved, copied, slipped, backed up or restored, thus providing flexible, repeatable automation and unprecedented precision. This approach reduces the need for extra tracks on tape recorders, extra mixing desk channels and also reduces unnecessary re-recording and rewind time. EQ processing on each Segment is through a 4-band parametric equalizer and all channels of stereo and multichannel segments are set and EQ'd simultaneously.
ER  -