Television and Audio/Video Production Techniques Using the Stereosurround Audio Production Format

Schulein RB. Television and Audio/Video Production Techniques Using the Stereosurround Audio Production Format. In: AES Conference: 9th International Conference: Television Sound Today and Tomorrow. Audio Engineering Society; 1991. Paper 9-025. Available from: https://aes.org/publications/elibrary-page/?id=5355

@inproceedings{Schulein1991_5355,
  author = {Schulein, Robert B.},
  title = {{Television and Audio/Video Production Techniques Using the Stereosurround Audio Production Format}},
  booktitle = {AES Conference: 9th International Conference: Television Sound Today and Tomorrow},
  note = {Paper 9-025},
  year = {1991},
  month = feb,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=5355}
}

TY  - CPAPER
TI  - Television and Audio/Video Production Techniques Using the Stereosurround Audio Production Format
AU  - Schulein, Robert B.
T2  - AES Conference: 9th International Conference: Television Sound Today and Tomorrow
M1  - Paper 9-025
PY  - 1991
DA  - 1991/02/06
UR  - https://aes.org/publications/elibrary-page/?id=5355
PB  - Audio Engineering Society
LA  - en
AB  - The Stereosurround Audio Production Format is a practical compatible 4-2-4 matrix encode/decode process derived from motion picture audio techniques that allows the generation of more realistic sound fields using four discrete-like reproduction channels that can be transmitted or stored on two conventional audio channels. Productions using this format include a variety of live and post production programs involving sports, comedy, drama, music entertainment, and product commercials. This paper focuses on the production environment and production techniques. A variety of live and post-production situations will be described as well as specific microphone and mixing techniques that have been developed to take full advantage of the format.
ER  -