The Perception of Sound Coloration Due to Resonances in Loudspeakers and Other Audio Components

Toole FE, Olive SE. The Perception of Sound Coloration Due to Resonances in Loudspeakers and Other Audio Components. In: AES Convention 81. Audio Engineering Society; 1986. Paper 2406. Available from: https://aes.org/publications/elibrary-page/?id=5024

@inproceedings{Toole1986_5024,
  author = {Toole, Floyd E. and Olive, Sean E.},
  title = {{The Perception of Sound Coloration Due to Resonances in Loudspeakers and Other Audio Components}},
  booktitle = {AES Convention 81},
  note = {Paper 2406},
  year = {1986},
  month = nov,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=5024}
}

TY  - CPAPER
TI  - The Perception of Sound Coloration Due to Resonances in Loudspeakers and Other Audio Components
AU  - Toole, Floyd E.
AU  - Olive, Sean E.
T2  - AES Convention 81
M1  - Paper 2406
PY  - 1986
DA  - 1986/11/06
UR  - https://aes.org/publications/elibrary-page/?id=5024
PB  - Audio Engineering Society
LA  - en
AB  - Resonances appear to be the principal source of coloration in reproduced sound. A brief survey of the origins of resonances in the processes of sound recording and reproduction indicates that, while problems exist at all stages, those at the recording end can sometimes be the more serious. Experimental results describe the thresholds of audibility of resonances as a function of frequency, Q, relative amplitude, program material, listener hearing performance, loudspeaker directivity, and listening environment. The findings are discussed in terms of the measured amplitude and time responses of the systems under examination, and are compared with those from earlier studies.
ER  -