Digital Time-Coherent Recording Technique

Anazawa T, Takahashi Y, Clegg AH. Digital Time-Coherent Recording Technique. In: AES Convention 83. Audio Engineering Society; 1987. Paper 2493. Available from: https://aes.org/publications/elibrary-page/?id=4909

@inproceedings{Anazawa1987_4909,
  author = {Anazawa, Takeaki and Takahashi, Yukio and Clegg, Almon H.},
  title = {{Digital Time-Coherent Recording Technique}},
  booktitle = {AES Convention 83},
  note = {Paper 2493},
  year = {1987},
  month = oct,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=4909}
}

TY  - CPAPER
TI  - Digital Time-Coherent Recording Technique
AU  - Anazawa, Takeaki
AU  - Takahashi, Yukio
AU  - Clegg, Almon H.
T2  - AES Convention 83
M1  - Paper 2493
PY  - 1987
DA  - 1987/10/06
UR  - https://aes.org/publications/elibrary-page/?id=4909
PB  - Audio Engineering Society
LA  - en
AB  - When a large-scale classical composition is recorded with the multi-mike method and simply mixed won, it is well known that tonal quality is deteriorated due to the "comb-filter" effect. To improve tonal quality, we determined the detectable and permissible limits of the comb-filter effect on various instrumental sounds. The necessity and the accuracy of time-coherency was studied, resulting in a confirmation of the improved tonal quality. Also, a digital mixing console for time-coherent recording is described.
ER  -