A "Split-Track" Recording Technique for Improved ENG Audio

Pizzi S. A "Split-Track" Recording Technique for Improved ENG Audio. J Audio Eng Soc. 1985;33(4):245-248. Available from: https://aes.org/publications/elibrary-page/?id=4454

@article{Pizzi1985_4454,
  author = {Pizzi, Skip},
  title = {{A "Split-Track" Recording Technique for Improved ENG Audio}},
  journal = {Journal of the Audio Engineering Society},
  volume = {33},
  number = {4},
  pages = {245--248},
  year = {1985},
  month = apr,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=4454}
}

TY  - JOUR
TI  - A "Split-Track" Recording Technique for Improved ENG Audio
AU  - Pizzi, Skip
T2  - Journal of the Audio Engineering Society
J2  - J. Audio Eng. Soc.
VL  - 33
IS  - 4
SP  - 245
EP  - 248
PY  - 1985
DA  - 1985/04/06
UR  - https://aes.org/publications/elibrary-page/?id=4454
PB  - Audio Engineering Society
LA  - en
AB  - The "split-track" recording technique employs any recorder with two audio tracks, using two (separated) microphones, to gather synchronized sound from two independent sources simultaneously. The two tracks are mixed to mono during postproduction. Applications include two-lavalier-microphone interviews, simultaneous foreign-language interpretation, podium and audience miking, recording two simultaneous events, and dual-perspective sound effects of ambience recording. Results are improved since little or no on-location mixing is required during the original recording.
ER  -