Y. Hirata, “Study of Nonlinear Distortion in Audio Instruments,” J. Audio Eng. Soc., vol. 29, no. 9, pp. 607–610, Sep. 1981.
Hirata Y. Study of Nonlinear Distortion in Audio Instruments. J Audio Eng Soc. 1981;29(9):607-610. Available from: https://aes.org/publications/elibrary-page/?id=3888
@article{Hirata1981_3888,
author = {Hirata, Yoshimutsu},
title = {{Study of Nonlinear Distortion in Audio Instruments}},
journal = {Journal of the Audio Engineering Society},
volume = {29},
number = {9},
pages = {607--610},
year = {1981},
month = sep,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=3888}
}
TY - JOUR
TI - Study of Nonlinear Distortion in Audio Instruments
AU - Hirata, Yoshimutsu
T2 - Journal of the Audio Engineering Society
J2 - J. Audio Eng. Soc.
VL - 29
IS - 9
SP - 607
EP - 610
PY - 1981
DA - 1981/09/06
UR - https://aes.org/publications/elibrary-page/?id=3888
PB - Audio Engineering Society
LA - en
AB - Several types of nonlinear distortion in audio instruments are discussed using distortion models. An input pulse is characterized by an asymmetric waveform with zero dc component. Pulse responses corresponding to the s-type nonlinearity, clipping and crossover distortion of an amplifier, the transient distortion of a level compressor, and the s-type nonlinearity of a loudspeaker are illustrated with their spectra. One result shows that the nonlinearities of an amplifier and a loudspeaker are physically distinguishable.
ER -