F. F. Lee and D. Lipschutz, “Floating-Point Encoding for Transcription of High-Fidelity Audio Signals,” J. Audio Eng. Soc., vol. 25, no. 5, pp. 266–272, May 1977.
Lee FF, Lipschutz D. Floating-Point Encoding for Transcription of High-Fidelity Audio Signals. J Audio Eng Soc. 1977;25(5):266-272. Available from: https://aes.org/publications/elibrary-page/?id=3374
@article{Lee1977_3374,
author = {Lee, Francis F. and Lipschutz, David},
title = {{Floating-Point Encoding for Transcription of High-Fidelity Audio Signals}},
journal = {Journal of the Audio Engineering Society},
volume = {25},
number = {5},
pages = {266--272},
year = {1977},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=3374}
}
TY - JOUR
TI - Floating-Point Encoding for Transcription of High-Fidelity Audio Signals
AU - Lee, Francis F.
AU - Lipschutz, David
T2 - Journal of the Audio Engineering Society
J2 - J. Audio Eng. Soc.
VL - 25
IS - 5
SP - 266
EP - 272
PY - 1977
DA - 1977/05/06
UR - https://aes.org/publications/elibrary-page/?id=3374
PB - Audio Engineering Society
LA - en
AB - For professional quality transcription of audio signals, a floating-point representation can give substantial savings over a straight binary representation. This paper shows, based on psychoacoustic data of masking of noise, how floating-point mantissa length, radix value, and exponent length can be arrived at. Listening tests, using real-time computer-generated music, yielded excellent agreement with the calculated values.
ER -