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The PCM tape recorder should perform the traditional function of recording for practical use in studios. Along with electronic editing, tape-cut editing will also play an important role in studio work. Advantages of tape-cut editing are: 1) Editing time can be minimized if splice points are not numerous. 2) Editing can be performed with only one PCM deck without expensive electronic equipment. This paper describes signal processing and performanc of digital tape-cut editing.
Author (s): Onishi, Ken;
Ozaki, Minoru;
Kawabata, Masuru;
Tanaka, Kunimaro;
Affiliation:
Mitsubishi Electric Corporation, Hyogo, Japan
(See document for exact affiliation information.)
AES Convention: 60
Paper Number:1343
Publication Date:
1978-05-06
DOI:
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Onishi, Ken; Ozaki, Minoru; Kawabata, Masuru; Tanaka, Kunimaro; 1978; Tape-Cut Editing of a Stereo PCM Tape Deck Employing Stationary Heads [PDF]; Mitsubishi Electric Corporation, Hyogo, Japan; Paper 1343; Available from: https://aes.org/publications/elibrary-page/?id=3011
Onishi, Ken; Ozaki, Minoru; Kawabata, Masuru; Tanaka, Kunimaro; Tape-Cut Editing of a Stereo PCM Tape Deck Employing Stationary Heads [PDF]; Mitsubishi Electric Corporation, Hyogo, Japan; Paper 1343; 1978 Available: https://aes.org/publications/elibrary-page/?id=3011
@inproceedings{Onishi1978tape-cut,
title={{Tape-Cut Editing of a Stereo PCM Tape Deck Employing Stationary Heads}},
author={Onishi, Ken and Ozaki, Minoru and Kawabata, Masuru and Tanaka, Kunimaro},
year={1978},
month={may},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 1343; AES Convention 60; May 1978},
number={1343},
organization={AES},
}
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