Tape-Cut Editing of a Stereo PCM Tape Deck Employing Stationary Heads

Onishi K, Ozaki M, Kawabata M, Tanaka K. Tape-Cut Editing of a Stereo PCM Tape Deck Employing Stationary Heads. In: AES Convention 60. Audio Engineering Society; 1978. Paper 1343. Available from: https://aes.org/publications/elibrary-page/?id=3011

@inproceedings{Onishi1978_3011,
  author = {Onishi, Ken and Ozaki, Minoru and Kawabata, Masuru and Tanaka, Kunimaro},
  title = {{Tape-Cut Editing of a Stereo PCM Tape Deck Employing Stationary Heads}},
  booktitle = {AES Convention 60},
  note = {Paper 1343},
  year = {1978},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=3011}
}

TY  - CPAPER
TI  - Tape-Cut Editing of a Stereo PCM Tape Deck Employing Stationary Heads
AU  - Onishi, Ken
AU  - Ozaki, Minoru
AU  - Kawabata, Masuru
AU  - Tanaka, Kunimaro
T2  - AES Convention 60
M1  - Paper 1343
PY  - 1978
DA  - 1978/05/06
UR  - https://aes.org/publications/elibrary-page/?id=3011
PB  - Audio Engineering Society
LA  - en
AB  - The PCM tape recorder should perform the traditional function of recording for practical use in studios. Along with electronic editing, tape-cut editing will also play an important role in studio work. Advantages of tape-cut editing are: 1) Editing time can be minimized if splice points are not numerous. 2) Editing can be performed with only one PCM deck without expensive electronic equipment. This paper describes signal processing and performanc of digital tape-cut editing.
ER  -