The -Lede- Concept for the Control of Acoustic and Psdychoacoustic Parameters in Recording Control Rooms

Davis D, Davis C. The -Lede- Concept for the Control of Acoustic and Psdychoacoustic Parameters in Recording Control Rooms. In: AES Convention 63. Audio Engineering Society; 1979. Paper 1502. Available from: https://aes.org/publications/elibrary-page/?id=2852

@inproceedings{Davis1979_2852,
  author = {Davis, Don and Davis, Chips},
  title = {{The -Lede- Concept for the Control of Acoustic and Psdychoacoustic Parameters in Recording Control Rooms}},
  booktitle = {AES Convention 63},
  note = {Paper 1502},
  year = {1979},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=2852}
}

TY  - CPAPER
TI  - The -Lede- Concept for the Control of Acoustic and Psdychoacoustic Parameters in Recording Control Rooms
AU  - Davis, Don
AU  - Davis, Chips
T2  - AES Convention 63
M1  - Paper 1502
PY  - 1979
DA  - 1979/05/06
UR  - https://aes.org/publications/elibrary-page/?id=2852
PB  - Audio Engineering Society
LA  - en
AB  - An approach to the standardized control room is found in the "Live end-Dead end" (LEDE) technique. Desirable features include greatly increased spatial perception, psychoacoustic removal of directional clues from the semi-reverberant sound field, assurance of the generation of a suitable semi-reverberant sound field, and deliberate control of anomoly density and arrival time at the mixing engineer's ears. The result is an exceptionally neutral control room environment that allows precision judgments to be made at the mixing console that correlate remarkably with the sound field appearing between two microphones in the studio. Both theoretical considerations as well as actual user responses, will be discussed.
ER  -