Recording Techniques as a Measure of the Quality of Concert Hall Acoustics

Potter CA, Hoge WJJ. Recording Techniques as a Measure of the Quality of Concert Hall Acoustics. In: AES Convention 63. Audio Engineering Society; 1979. Paper 1504. Available from: https://aes.org/publications/elibrary-page/?id=2850

@inproceedings{Potter1979_2850,
  author = {Potter, Constance A. and Hoge, W. J. J.},
  title = {{Recording Techniques as a Measure of the Quality of Concert Hall Acoustics}},
  booktitle = {AES Convention 63},
  note = {Paper 1504},
  year = {1979},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=2850}
}

TY  - CPAPER
TI  - Recording Techniques as a Measure of the Quality of Concert Hall Acoustics
AU  - Potter, Constance A.
AU  - Hoge, W. J. J.
T2  - AES Convention 63
M1  - Paper 1504
PY  - 1979
DA  - 1979/05/06
UR  - https://aes.org/publications/elibrary-page/?id=2850
PB  - Audio Engineering Society
LA  - en
AB  - Many of the same factors which influence a concert hall's usefulness for its original purpose (a place for an audience to listen to a live performance) effect its usefulness as a recording studio. Those halls which allow the use of simple recording techniques are generally better halls for live performances. Those halls which require the use of multi-microphone and/or multitrack techniques are usually poor halls for the concertgoer and/or the performer.
ER  -