Instrument Isolation for Multiple Track Music Recording

Rettinger M. Instrument Isolation for Multiple Track Music Recording. In: AES Convention 54. Audio Engineering Society; 1976. Paper 1119. Available from: https://aes.org/publications/elibrary-page/?id=2295

@inproceedings{Rettinger1976_2295,
  author = {Rettinger, Michael},
  title = {{Instrument Isolation for Multiple Track Music Recording}},
  booktitle = {AES Convention 54},
  note = {Paper 1119},
  year = {1976},
  month = may,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=2295}
}

TY  - CPAPER
TI  - Instrument Isolation for Multiple Track Music Recording
AU  - Rettinger, Michael
T2  - AES Convention 54
M1  - Paper 1119
PY  - 1976
DA  - 1976/05/06
UR  - https://aes.org/publications/elibrary-page/?id=2295
PB  - Audio Engineering Society
LA  - en
AB  - For the sake of greater record and magnetic tape sales appeal, it has become the practice of the recording industry to mix as many as 32 tracks down to the 2 or 4 required respectively for stereophonic or quadraphonic reproduction. To obtain recordings of the various instruments or band sections unmarred by signals from adjoining sources, portable flats or baffles and retractable partitions are used for sound isolation. It is the purpose of the paper to discuss the amount of sound attenuation as a function of frequency available from the various barriers employed in studios characterized by a relatively short reverberation period.
ER  -