C. T. Ocampo, T. Hirvonen, E. S. Blanes, M. Namazi, and J. Skoglund, “Perceptual Evaluation of a Mix Presentation for Immersive Audio with IAMF,” in Proc. Convention Paper, May 2025, Paper 10213. [Online]. Available: https://aes.org/publications/elibrary-page/?id=22849
Ocampo CT, Hirvonen T, Blanes ES, Namazi M, Skoglund J. Perceptual Evaluation of a Mix Presentation for Immersive Audio with IAMF. In: Convention Paper. Audio Engineering Society; 2025. Paper 10213. Available from: https://aes.org/publications/elibrary-page/?id=22849
@inproceedings{Ocampo2025_22849,
author = {Ocampo, Carlos Tejeda and Hirvonen, Toni and Blanes, Ema Souza and Namazi, Mahmoud and Skoglund, Jan},
title = {{Perceptual Evaluation of a Mix Presentation for Immersive Audio with IAMF}},
note = {Paper 10213},
year = {2025},
month = may,
publisher = {Audio Engineering Society},
url = {https://aes.org/publications/elibrary-page/?id=22849}
}
TY - CPAPER
TI - Perceptual Evaluation of a Mix Presentation for Immersive Audio with IAMF
AU - Ocampo, Carlos Tejeda
AU - Hirvonen, Toni
AU - Blanes, Ema Souza
AU - Namazi, Mahmoud
AU - Skoglund, Jan
M1 - Paper 10213
PY - 2025
DA - 2025/05/12
UR - https://aes.org/publications/elibrary-page/?id=22849
PB - Audio Engineering Society
LA - en
AB - Immersive audio mix presentations involve transmitting and rendering several audio elements simultaneously. This enables next-generation applications, such as personalized playback. Using immersive loudspeaker and headphone MUSHRA tests, we investigate rate vs. quality for a typical mix presentation use case of a foreground stereo element, plus a background Ambisonics scene. For coding, we use Immersive Audio Model and Formats, a recently proposed system for Next-Generation Audio. Excellent quality is achieved at 384 kbit/s, even with reasonable amount of personalization. We also propose a framework for content-aware analysis that can significantly reduce the bitrate even when using underlying legacy audio coding instances.
ER -