Exploring Immersive Recording and Reproduction Methods for Pipe Organs

Treanor G, Luo J, Tsuaye J, Songmuang P, Wu Y, Jaimes A, Bobby J, Li Z. Exploring Immersive Recording and Reproduction Methods for Pipe Organs. In: Express Paper. Audio Engineering Society; 2024. Paper 270. Available from: https://aes.org/publications/elibrary-page/?id=22728

@inproceedings{Treanor2024_22728,
  author = {Treanor, Garrett and Luo, Jessica and Tsuaye, Jeremy and Songmuang, Parichat and Wu, Yi and Jaimes, Angel and Bobby, Joel and Li, Zhinuo},
  title = {{Exploring Immersive Recording and Reproduction Methods for Pipe Organs}},
  note = {Paper 270},
  year = {2024},
  month = sep,
  publisher = {Audio Engineering Society},
  url = {https://aes.org/publications/elibrary-page/?id=22728}
}

TY  - CPAPER
TI  - Exploring Immersive Recording and Reproduction Methods for Pipe Organs
AU  - Treanor, Garrett
AU  - Luo, Jessica
AU  - Tsuaye, Jeremy
AU  - Songmuang, Parichat
AU  - Wu, Yi
AU  - Jaimes, Angel
AU  - Bobby, Joel
AU  - Li, Zhinuo
M1  - Paper 270
PY  - 2024
DA  - 2024/09/27
UR  - https://aes.org/publications/elibrary-page/?id=22728
PB  - Audio Engineering Society
LA  - en
AB  - The pipe organ is often underrepresented in classical music recordings, particularly in immersive audio formats. This paper explores a novel approach to recording and reproducing the organ for immersive formats using a modified Bowles Array. Key considerations for immersive recording and reproduction are examined, including the balance between aestheticism and realism, the role of the LFE channel, and the acoustic characteristics of the recording and reproduction environments, as well as the instrument itself. The findings aim to enhance the immersive audio experience of pipe organ music and provide valuable insights for developing standards in immersive recording and reproduction methods for pipe organ performances.
ER  -